Yoon Sung-a

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	<title>Yoon Sung-a</title>
	<link>https://yoonsunga.com</link>
	<description>Yoon Sung-a</description>
	<pubDate>Sat, 04 Apr 2020 18:33:14 +0000</pubDate>
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		<title>press</title>
				
		<link>https://yoonsunga.com/press-1</link>

		<pubDate>Sat, 04 Apr 2020 18:33:14 +0000</pubDate>

		<dc:creator>Yoon Sung-a</dc:creator>

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		<description>HOLLYWOOD REPORTER (EN)FILM STAGE (EN)LIBERATION, by Elisabeth Franck-Dumas (FR)
LIBERATION, by Julien Gestrer (FR)LIBERATION, in Géographie en mouvement(FR)
LE MONDE, by Alain Constant (FR)
LE MONDE (FR)
TÉLÉRAMA, interview by Juliette Warlop (FR)
TÉLÉRAMA, review by Juliette Warlop (FR)
TÉLÉRAMA (FR)MODERN TIMES REVIEW(EN)POV MAGAZINES (EN)
ASIAN MOVIE PULSE (EN)
LE POLYESTER, by Nicolas Bardot(FR)
LE POLYESTER, interview (FR)ANOTHER GAZE (EN)CINEVOX (FR)CINEUROPA (EN)OTROS CINE (ES)FILM IDEE.IT (IT)RSI RADIOCLEO (A JOURNAL OF FILMS AND FEMINISM)(EN)CINERGIE, by Katia Bayer (FR)HEADTOPICS (EN)ASIA FILM FESTIVAL.COM (EN)YONHAP NEWS AGENCY (KP)YONHAP NEWS AGENCY (EN)BINA007 MOVIE REVIEWS&#38;nbsp;RAVAGE-WEBZINE.NL (NL)DEDOCUPDATE.COM (NL)ASIA FILM FESTIVALS.COM (EN)VPRO.NL (NL)TELEOBS (FR)
IROZLHAS (CZ)EYE FOR FILM (EN)INQUIRER.NET (EN)15MIN (LT)</description>
		
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		<title>Watch Overseas</title>
				
		<link>https://yoonsunga.com/Watch-Overseas</link>

		<pubDate>Tue, 16 Jul 2019 13:39:08 +0000</pubDate>

		<dc:creator>Yoon Sung-a</dc:creator>

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		<title>Films</title>
				
		<link>https://yoonsunga.com/Films-1</link>

		<pubDate>Wed, 10 Jul 2019 16:32:33 +0000</pubDate>

		<dc:creator>Yoon Sung-a</dc:creator>

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		<description></description>
		
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		<title>Overseas</title>
				
		<link>https://yoonsunga.com/Overseas</link>

		<pubDate>Wed, 10 Jul 2019 11:11:02 +0000</pubDate>

		<dc:creator>Yoon Sung-a</dc:creator>

		<guid isPermaLink="true">https://yoonsunga.com/Overseas</guid>

		<description>
	
	Overseas2019 &#124; 90min &#124; Documentary&#38;nbsp;
Watch the trailer
Aux Philippines, on déploie les femmes en masse à l’étranger comme aides ménagères ou nounous. Elles laissent souvent derrière elles leurs propres enfants, avant de se jeter dans l’inconnu. Dans un centre de formation au travail domestique, comme tant d’autres aux Philippines, un groupe de candidates au départ se préparent au mal du pays et aux maltraitances qui pourraient les atteindre. Lors d’exercices de jeux de rôles, les femmes se mettent tant dans la peau de l’employée que des employeurs. Aux abords de la fiction, OVERSEAS traite de la servitude moderne de notre monde globalisé, tout en révélant la détermination de ces femmes, leur sororité et les stratégies mises en place face aux épreuves que leur réserve l’avenir. 
In the Philippines, women get deployed abroad to work as domestic workers or nannies. In order to do so, they frequently leave their own children behind before throwing themselves into the unknown. In one of the many local filipino training centers dedicated to domestic work, a group of trainees are getting ready to face both homesickness and the possible abuses lying ahead. During role playing exercises, they alternatively play both the roles of the employee and that of the employers. Bordering on fiction, OVERSEAS brings to light the question of modern servitude in our globalized world, while emphasizing these women’s determination, their sisterhood, and the strategies they find to face the ordeals that awaits them in the near future. 
image &#124; Thomas Schirasound &#124; Kwinten Van Laethem

editing &#124; Dieter Diependaelemusic &#124; Fréderic Verrièressound design &#124; Emmanuel Solandcolor grading &#124; Matthieu Weilproduction &#124; Isabelle Truc (Iota Production), Quentin Laurent (Les Films De L’oeil Sauvage) &#38;amp; Hanne Phlypo (Clin D’oeil Films)
Produced by Iota Production and Les Films De L’œil Sauvage in co-production with Clin D’œil Films, le Cba (Centre de l’audiovisuel à Bruxelles), Michigan Films, BeTV et France TV 
With the support of Le Centre du cinema de la Federation Wallonie-Bruxelles, CNC, Fonds Audiovisuel de Flandre (Vaf), DGD, Region Paca, Cnap, Procirep, Angoa et du Tax Shelter du Gouvernement Federal belge Casa Kafka Pictures – Belfius.

Reviews &#124; Press kit (EN /&#38;nbsp;FR) &#124; Website

World premiere

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Screenings 
72th Locarno Flm Festival (IT) – Cineasti del presente 201929th Message to man international film festival (RS) – International competition15th Camden International Film Festival (US) – Vision award nominee 201935th Warsaw Film Festival (PL) – International competition 2019 – Best Documentary Film Award 
26th Hamptons International Film Festival (US) – Documentary competition – Best Documentary Film Award63rd BFI London Film Festival (UK) – Documentary competition24th Busan International Film Festival (KP) – Wide angle documentary films33rd Festival International du Film Francophone de Namur (BE) – Place aux docsIDFA - International Documentary Film Festival Amsterdam 2019 (NL) – Best of FestsRencontres Internationales du documentaire de Montréal 2019 (CA) - International competitionHong Kong Asian Film Festival 2019 (CH)26th Minsk International Film Festival “Listapad” (BY)12th This Human World Film Festival (AT)FIPADOC 2020 (FR)15th Premiers Plans d’Angers (FR) – European Competition - Best directing European Films Award 2020Doc Fortnight – MoMA’s Festival of International Nonfiction Film and Media in New-York City (US)19th Docpoint – Helsinki documentary Film Festival (FI)11th Festival Filmer le Travail (FR) – Grand Prix Filmer Le Travail 2020Amherst Cinema Arts Center - «Bellweather» Screening (US)Femspectives 2020 - Glasgow Feminist Film Festival (UK)Colorado Dragon Film Festival 2020 (US)10th Luxembourg City Film Festival (LU)Objectif center for photography Singapore (SG) - « Stories that matters 2020: who cares »21st Tempo Documentary Festival (SE) - Honorary Mention Stefan Jarl International Documentary Award 2020Punto De Vista International Documentary Film Festival 2020 (ES) - 2020 Audience’s PrizeCinemasia Film Festival 2020 (NL)Toronto Doc Soup (screenings organized by Hotdocs International film Festival) (CA)Cinemateca de Bogota (CO)
18th FIFDH – International Film Festival and Forum on Human Rights (CH) - Youth Jury Award 2020 22nd Thessaloniki Documentary Film Festival, Greece (GR) – Top Docs section43rd Portland International Film Festival (US)One World International Human Rights Documentary Film Festival 2020 (CZ)22nd Ljubljana Documentary Film Festival (SI)CPH:DOX 2020 (DA)24th Vilnius International Film Festival (LH)17th Docudays UA International Human Rights Documentary Film Festival (UA)16th Patois International New Orleans Human Rights Film Festival (US)2nd Hebden Bridge film festival (UK)13th One World Romania (RO)22nd Sarasota Film Festival (US)18th San Sebastián Human Rights Film Festival (ES)15th Ambulante Film Festival (MX)35th DOK. Fest. München (DE)23rd DocsBarcelona International - Amnesty International Catalunya Award
Documentary Film Festival (ES)44th Atlanta Film Festival (US) - Documentary feature competition17th IndieLisboa International Film Festival (PO) - Sylvestre section16th Docville International documentary film festival (BE) - National Competition12th Millenium Film Festival (BE) - National competition14th Asian Pacific Screen Awards (AU) – In competition for “Best Documentary”29th Innsbruck international film festival (AT)Construir Cine International Labor Film Festival 2020 (AR) - Best Documentary Film Award&#38;nbsp;


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		<title>Full of Missing Links</title>
				
		<link>https://yoonsunga.com/Full-of-Missing-Links</link>

		<pubDate>Wed, 10 Jul 2019 09:49:21 +0000</pubDate>

		<dc:creator>Yoon Sung-a</dc:creator>

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		<description>
	

	Full of Missing Links2012 &#124;&#38;nbsp;68min &#124;&#38;nbsp;Documentary
Partie en Corée du Sud à la recherche d'un
père absent depuis l'enfance, la réalisatrice est confrontée à un passé plein
d'énigmes auxquelles les proches ne semblent pouvoir apporter de réponses. De
ce manque, naît sa nécessité et sa volonté de réinventer son histoire intime à
partir de la parole de l'autre, qu'il soit connu ou rencontré fortuitement, et
d'images extraites de films, d'émissions télévisées et de « dramas »
qui mettent en scène des retrouvailles. La juxtaposition de ces éléments
éclaire le passé de la réalisatrice, rendant compte d'une époque et des rouages
d'une société. Au sein d'un double mouvement, le film compose le portrait
fantasmé d'un père absent, tout en inscrivant l'histoire de la réalisatrice au
sein d'une histoire plus globale, celle d'un peuple, profondément marqué par la
séparation.


Upon arriving in South Korea to look for her father who has been absent since her childhood, Soa Sung-a Yoon, the filmmaker, is confronted to a past full of enigmas and for which her relatives seem unable to bring answers. This gap motivates her need and her will to re-create her intimate story out of other people’s words, whether familiar or barely known, and from pictures of movies, TV shows or “dramas” that stage the reunion of missing people. The juxtaposition of those elements sheds light on the past of Soa Sung-a Yoon, while reporting on a period and the mechanism of a society. In a dual motion, the movie depicts the fantasized portrait of an absent father, while including the personal story of the filmmaker in a wider one, the story of a community deeply scarred by separation. 

Watch the Trailer &#124; Watch Full of Missing Links ST EN&#38;nbsp; 


written and directed by Sung-a Yoonimage and sound &#124; Sébastien Andres &#38;amp; Sung-a Yoonediting &#124; Maria Del Pilar Gavilanes, Alexandra Melot, Sung-A Yoonsound design &#124; David Vrankenmix &#124; Aline Gavroyproduction &#124; Michigan Filmsproduction managers &#124; Sébastien Andres, Sung-A Yoonco-producer &#124; Kathleen De Bethune, CBA delegate Producers &#124; Sébastien Andres, Olivier Burlet
with the support of Le Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles et de VOO (TV-NET-TEL), and l'Atelier Graphoui.

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Screenings2012 Festival Courtisane 2012« Looking Outward, Looking Inward, New audiovisual essays from Belgium », Kask Cinéma, Gand2012« Open Screen», Cinéma Nova, Bruxelles2013« Saison Video », Centre d'arts plastiques et visuels, Lille 2014 Centre culturel Coréen de Brussels 2015 « De la sortie de l'Insas au 1er long-métrage », INSAS2016 London Korean Film Festival 

Texts
Interview Saison Vidéo by Mo Gourmelon&#38;nbsp;

Courtisane Festival catalogue


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		<title>La pianiste</title>
				
		<link>https://yoonsunga.com/La-pianiste</link>

		<pubDate>Wed, 10 Jul 2019 10:05:42 +0000</pubDate>

		<dc:creator>Yoon Sung-a</dc:creator>

		<guid isPermaLink="true">https://yoonsunga.com/La-pianiste</guid>

		<description>
	 

	La Pianiste
2011 &#124;&#38;nbsp;9:20min
Une femme, vêtue d'une robe de soirée, joue au piano dans le hall d'un hôtel de luxe à Séoul. Bien qu'elle soit éclairée comme sur une scène, personne ne semble lui prêter attention. La pianiste semble terriblement isolée, dans ce lieu de passage. 
A woman, dressed in an evening gown plays the piano in a luxurious hotel’s lobby in Seoul. Although she is enlightened as if she were on stage, nobody seems to be paying attention : the pianist seems incredibly alone in the midst of comings and goings. 
directing, image &#38;amp; sound &#124; Yoon Sung-Aediting &#124; Delphine Duquesne, Yoon Sung-Asound editing &#38;amp; mixing &#124; David Vrankencolor grading &#124; Olpy – ETE INDIENproduction &#124; Yoon Sung-Acoproduction &#124; Michigan Filmswith the support of le Centre du cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles et des télédistributeurs Wallons.

Screenings
2014, « Labo », Brussels Short Film Festivals2014, « Carte Blanche Michigan Films », Furious Festival, Théâtre de Poche,Bruxelles2014, Festival du film Faito Doc Film Festival, Italie2011, «Ecrans d’art, Ecrans d’elles», Festival de films de femmes de Bruxelles


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</description>
		
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	<item>
		<title>Et dans mon coeur j’emporterai</title>
				
		<link>https://yoonsunga.com/Et-dans-mon-coeur-j-emporterai</link>

		<pubDate>Wed, 10 Jul 2019 08:44:09 +0000</pubDate>

		<dc:creator>Yoon Sung-a</dc:creator>

		<guid isPermaLink="true">https://yoonsunga.com/Et-dans-mon-coeur-j-emporterai</guid>

		<description>
	

	Et dans mon coeur j’emporterai2008 &#124;&#38;nbsp;23:40min &#124;&#38;nbsp;Fiction


Une nuit, un homme d’une trentaine d’années erre seul dans les rues de
Bruxelles. Il se laisse entraîner par un homme d’affaires ivre dans un karaoké
coréen.


One night, a man in his thirties wanders all alone in
the streets of Brussels. He’s dragged into a Korean karaoke bar by a drunk
businessman.


Watch the trailer

withTibo Vandenborre, Sung-A Yoon, Hwan-Jung Yun scenario &#38;amp; directing &#124; Sung-A Yoon Image &#124; Amandine Mahieu framing &#124; Denis Liegois sound &#124; Florian Namias sound design &#124; Maxime Cotonediting &#124; Thomas Lecomtesets &#124; Sarah Deweppecostume &#124; Chloé Gindre 

&#60;img width="1146" height="1600" width_o="1146" height_o="1600" data-src="https://freight.cargo.site/t/original/i/ec3d532473cd399c7a52cb984838121bca0f51bdb7c2cda503525b9c51e2d72d/Capture-decran-2020-06-24-a-11.17.49.png" data-mid="75515953" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/ec3d532473cd399c7a52cb984838121bca0f51bdb7c2cda503525b9c51e2d72d/Capture-decran-2020-06-24-a-11.17.49.png" /&#62;


&#60;img width="2560" height="1234" width_o="2560" height_o="1234" data-src="https://freight.cargo.site/t/original/i/60dbb2b4aca589a6d42cfaeb51edd3e6a890320c01063f8254c3bf986f911a47/Capture-decran-2020-06-24-a-11.23.16.png" data-mid="75516445" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/60dbb2b4aca589a6d42cfaeb51edd3e6a890320c01063f8254c3bf986f911a47/Capture-decran-2020-06-24-a-11.23.16.png" /&#62;

ScreeningsFestival de Cannes, Sélection officielle Cinefondation, 2008Molodist International Film Festival, Kiev 2008Sao Paulo International Film Festival, 2008Festival «Le court en dit long», Paris 2008Festival du film de femmes, Bruxelles 2008International Indépendant Film Festival of Brussels 200823ème rencontre internationale d'écoles de cinéma de Toulouse 2008Deboshir Indépendant Film Festival, Saint Petersbourg 2009Quintessence, Ouidah International Film Festival, Benin 2009 FESPACO, Burkina Faso 2009« Eisbär Corée », Maison de la création, Bruxelles 2009Galerie Chappe, Paris 2009Taipei County Film Festival, Taïwan 2009« 50 ans de l'insas », Brussels Short Films Festival 2013Pianofabriek, Brussels, 2015« De la sortie de l'Insas au 1er long-métrage », INSAS, Bruxelles, 2016Centre culturel Coréen de Bruxelles, 2015Short screens, Bruxelles, 2019


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	<item>
		<title>Nata Iurnata</title>
				
		<link>https://yoonsunga.com/Nata-Iurnata</link>

		<pubDate>Wed, 10 Jul 2019 20:34:10 +0000</pubDate>

		<dc:creator>Yoon Sung-a</dc:creator>

		<guid isPermaLink="true">https://yoonsunga.com/Nata-Iurnata</guid>

		<description>
	
	Nata IurnataUne autre journée
2010 &#124;&#38;nbsp;10:50min &#124;&#38;nbsp;Made during an artist’s residency at the French Institue of Naples 
« Nata Iurnata » est le titre d'une chanson de Svez, jeune rappeur napolitain. Le film est une adaptation libre des paroles de la chanson, écrites en dialecte napolitain, qui retracent la routine d’une journée de la banlieue de Naples. Il n’y est question ni de drogue, ni de mafa, mais d’un quotidien banal, répétitif, dénué d’argent, envahi par une présence télévisuelle constante, et ponctué de sorties nocturnes sans surprise, dont le narrateur cherche à se libérer à travers l’écriture et la musique. « Nata Iurnata » recounts the routine of a day in Naples’ suburbs. It is neither about drugs, nor about mafia, but about trivial and repetitive daily life, devoted of money, overruled by the continuous presence of TV and interspersed by night trips without any surprises. Through writing and music the narrator tries to free himself from this routine. The film is a free adaptation of a song by Svez, a young Neapolitain rapper. 
Original language &#124; NeapolitanSubtitles &#124; IT, FR, EN
filmmaking &#124; Yoon Sung-Achoreography &#124; Anna Rediacting &#124; Giulia Mensitieri, Mirco Visconti, Anna Redi, Lorenzo Gleijesesimage &#124; Paolo Cappelliframing &#124; Diego d’Ambrosio, Yoon Sung-Asound &#124; Ivan D’alessandroediting &#124; Yoon Sung-Asound design &#124; David Vrankencolor grading &#124; Frédéric Noirhommemusic &#124; Svezsets costume &#124; Giovanna et Claudia Caccioppoli
with the support of Istituto Francese di Napoli Il Grenoble, Carlo Rendano Association, Mediateca S.Sofia, Michigan Films

Screenings
2010 «O Curt» Film Festival, Instituto Francese Le Grenoble, Naples 

Watch Nata Iurnata
	
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	<item>
		<title>Les lieux du son Séoul, Kiev, New York</title>
				
		<link>https://yoonsunga.com/Les-lieux-du-son-Seoul-Kiev-New-York</link>

		<pubDate>Wed, 10 Jul 2019 20:27:02 +0000</pubDate>

		<dc:creator>Yoon Sung-a</dc:creator>

		<guid isPermaLink="true">https://yoonsunga.com/Les-lieux-du-son-Seoul-Kiev-New-York</guid>

		<description>
	

	Les lieux du sonSéoul, Kiev, New York
2011 &#124; Video installation &#124;&#38;nbsp;4 films of 2-4 min
« Les lieux du son: Séoul, Kiev, New York » interroge le rapport entre la musique et l'espace publique. Dans chaque ville, est filmé un lieu public où l'on peut entendre une musique. La fonction de chacun des lieux, la manière dont l'espace est organisé, le type de musique qui y est joué et la réaction des personnes présentes, révèlent des relations humaines, économiques, culturelles et sociales. Il y est question de la nécessité de l'art, de sa valeur marchande, de notre rapport au patrimoine, de l'idée même de divertissement, du monde du travail ainsi que sa déshumanisation, du sens des symboles et des valeurs.
"The Places of Sound: Seoul, Kiev, New York" questions the relationship between music and public space. In each city, a public place where music can be heard is filmed. Each place’s function, the space organization, the type of music and the people’s reactions reveal human, economic, cultural and social relationships. The need for art, its market value, our relationship to heritage and entertainment, the world of work and its dehumanization, and the meaning of symbols and values are discussed. image and sound &#124; Maria Del Pilar Gavilanes, Yoon Sung-A editing &#124; Delphine Duquesne, Yoon Sung-Asound design &#124; David Vranken color grading &#124; Olpy- ETE INDIEN
production &#124; Michigan films, Yoon Sung-A.

Exhibitions and Text&#38;nbsp;

&#60;img width="1914" height="2675" width_o="1914" height_o="2675" data-src="https://freight.cargo.site/t/original/i/9b413c9d397a3a81cb052820d0c0b2d86f1e0ee3695415a107363dcc7df9b965/AFFICHE-LES-LIEUX-DU-SON.jpg" data-mid="74743093" border="0"  src="https://freight.cargo.site/w/1000/i/9b413c9d397a3a81cb052820d0c0b2d86f1e0ee3695415a107363dcc7df9b965/AFFICHE-LES-LIEUX-DU-SON.jpg" /&#62;Vrijstaat o. by Stoffel Debysere and Maria Palacios Cruz &#38;nbsp;
	&#60;img width="1536" height="1152" width_o="1536" height_o="1152" data-src="https://freight.cargo.site/t/original/i/11a9b7e9237baf479814f4b4078d73aefe59b7a5b1a697da64fde2165f2ef621/lieux01_small.jpg" data-mid="46370430" border="0"  src="https://freight.cargo.site/w/1000/i/11a9b7e9237baf479814f4b4078d73aefe59b7a5b1a697da64fde2165f2ef621/lieux01_small.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/37ecae04bae3d658e71627deff3d2694edb389e107dde8bdf3ebe6a3a610cf19/lieux02_small.jpg" data-mid="46370431" border="0"  src="https://freight.cargo.site/w/1000/i/37ecae04bae3d658e71627deff3d2694edb389e107dde8bdf3ebe6a3a610cf19/lieux02_small.jpg" /&#62;
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	<item>
		<title>Adieu je pars et dans mon cœur j’emporterai &#124; Elle peut pas oublier le sentiment toute la vie </title>
				
		<link>https://yoonsunga.com/Adieu-je-pars-et-dans-mon-cour-j-emporterai-Elle-peut-pas-oublier-le</link>

		<pubDate>Wed, 10 Jul 2019 20:03:05 +0000</pubDate>

		<dc:creator>Yoon Sung-a</dc:creator>

		<guid isPermaLink="true">https://yoonsunga.com/Adieu-je-pars-et-dans-mon-cour-j-emporterai-Elle-peut-pas-oublier-le</guid>

		<description>
	

	Adieu je pars et dans mon cœur j’emporterai
2006 &#124;&#38;nbsp;11:02min &#124;&#38;nbsp;DypticUn "karaoké asiatique" à Liège, en Belgique. Chaque lundi soir, une partie de la communauté chinoise s'y rassemble pour chanter des chansons dans leur langue maternelle. Adieu je pars et dans mon coeur j'emporterai, tourne autour du désir et de la construction d'un ailleurs. Le son renferme un fort pouvoir émotif et permet de se connecter à d'autres espaces-temps. On peut en être à tout moment traversé, envahi. Au Karaskobar, les chinois chantent des chansons tristes, joyeuses ou déchirantes en pensant à leurs familles qui est loin, à leurs femmes restées au pays. L'ailleurs se dessine sur leurs visages. Ce moment représente une échappée, un exutoire. « Farewell I leave and keep in my heart » shows an Asian karaoke in Liege (Belgium). Each Monday evening, Chinese people gather together to sing in their mother tongue. The elsewhere can be read on their faces. They enjoy singing sad, happy or heart-rending songs remembering their families, their wives...

image &#124; Frédéric Noirhomme sound &#124; Olivier Toucheediting &#124; Alexis Lardilleux, Sung-A Yoon, Tomas Matauko 
production &#124; Biennale de Busan

&#60;img width="1920" height="1092" width_o="1920" height_o="1092" data-src="https://freight.cargo.site/t/original/i/406606fa3753e7ad2072eee47a567a098aa5b44bc8324c15fe43ca4da161471a/adieu01_small.jpg" data-mid="46369239" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/406606fa3753e7ad2072eee47a567a098aa5b44bc8324c15fe43ca4da161471a/adieu01_small.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/02c8934671c6090ed53946a388c26afaad25e35ad55f4d1b743f6bc17dcbaa1d/adieu02_small.jpg" data-mid="46369240" border="0"  src="https://freight.cargo.site/w/1000/i/02c8934671c6090ed53946a388c26afaad25e35ad55f4d1b743f6bc17dcbaa1d/adieu02_small.jpg" /&#62;
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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/021b6e74fa625a09bbc4bca953214cf2a4495ea0695534bc4ae0268d65731acd/adieu04_small.jpg" data-mid="46369242" border="0"  src="https://freight.cargo.site/w/1000/i/021b6e74fa625a09bbc4bca953214cf2a4495ea0695534bc4ae0268d65731acd/adieu04_small.jpg" /&#62;

Exhibitions and screenings
Festival Courtisane, Gand 2008Biennale de Busan, Corée du Sud 2006Festival Paris-Cinéma, Palais de Tokyo, 2006« A tale of two cities », programmé par Pointligneplan, l’Entrepôt Cinema, Paris 2006Gimhae Art Center, GASC’s video exhibition, Corée du Sud 2006Galerie HAPTIC / Betonsalon, Vestibule de La Maison Rouge, Paris 2006« Exils », Saison Vidéo, Tourcoing 2010«Splendid isolation», Freestate Young belgian art, Ostend 2011
Texts
Busan Biennale article
Galerie Haptic


Watch Adieu je pars et dans mon coeur j’emporterai 
and Elle peut pas oublier le sentiment toute la vie&#38;nbsp;


&#38;nbsp;

	Elle peut pas oublier le sentiment toute la vie 
2006 &#124;&#38;nbsp;10:45min &#124;&#38;nbsp;DypticDans la ville de Liège, des personnes de la communauté chinoise racontent l’histoire d’une de leurs chansons de prédilection. Au fil des mots, ils se racontent eux-mêmes et expriment leurs sentiments. Ces histoires, dites à divers endroits de la ville, constituent une sorte de mémoire collective.

image &#124; Frédéric Noirhomme sound &#124; Olivier Toucheediting &#124; Sung-A Yoon
production &#124; Biennale de Busan

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